There are moments when something in us breaks loose—not from tragedy, necessarily, but from recognition. You misread a person. You failed at something you thought was within your grasp. You said yes too many times to something you didn’t want. And suddenly, your inner life revolts.
It doesn’t start in the mind. It starts in the body: the tightness in the stomach, the shallow breath, the trembling that reaches the hands before the thoughts catch up. Your sense of equilibrium dissolves. What seemed natural or normal—the life you built, the roles you occupy, even the stories you tell yourself—now rings false.
This is not a passing sadness or mood. It is a rupture of meaning. A reckoning not only with circumstance, but with identity. And it demands something more than adjustment. It demands reassessment.
Nature offers no shortage of metaphors for growth. But what it teaches most profoundly is that growth sometimes doesn’t happen without confrontation. Trees will twist toward light even if it means splitting rock. Rivers will redraw entire landscapes to find their course. The comfortable path is rarely the one that endures.
There are seeds that will not germinate unless they’ve passed through fire. Literally. Serotinous cones, a type of pine cone, are sealed shut by resin and only release their seeds when the heat of wildfire melts them. Without destruction, no renewal. Without rupture, no next beginning.
So too with us. The moments we most resist—the ones that bring discomfort, confusion, perhaps even shame—are often the moments that mark a return to truth. Not because they feel good. But because they make staying the same impossible.
George Eliot understood this better than most. In Middlemarch, Dorothea Brooke marries a man she believes to be brilliant, someone who will give her life a kind of moral and intellectual clarity. But what she discovers is not just the mediocrity of her husband—it is the uncomfortable truth that she chose him, that she projected greatness onto him because she needed her world to make sense. Her realization is devastating, but not annihilating. It does not destroy her. It reconfigures her.
Eliot writes Dorothea’s reckoning not as melodrama but as quiet revolt—a woman beginning to dismantle the assumptions that shaped her. It is this capacity, not for rebellion, but for revision, that makes her great. She lets the rupture teach her. She does not go back to comfort. She moves forward, but differently.
The Austrian psychiatrist and Holocaust survivor Viktor Frankl, in Man’s Search for Meaning, offers another way into this same truth. He writes, “When we are no longer able to change a situation, we are challenged to change ourselves.”
This is the real work of reassessment. Not self-improvement. Not reinvention. But recognition: that sometimes the world will not yield. And in those moments, the only movement available is inward—and forward.
Frankl did not speak of nature in metaphor, but his insight rhymes with it. Just as certain plants will not flower without a prolonged winter - a process called vernalization - we too sometimes need to pass through internal cold. Not to freeze, but to awaken. The plant registers the chill deep in its tissue. It becomes encoded. Only when that coding is complete will it bloom.
In the same way, this kind of human reckoning - the kind that begins in the gut and ends in transformation - is not immediate. It’s a process of internal encoding. A felt, embodied wisdom that emerges only after silence, discomfort, and revision.
There’s a moment in nature when the snow begins to melt, not because the sun shines, but because the ground itself begins to warm from below. That hidden heat, that unseen thaw - that’s what this is. The ground shifts from the inside out.
What follows is not guaranteed. Some people retreat. Others rearrange their lives from the root system up. But the ones who do, who let the feeling lead them somewhere new, find themselves closer to alignment than they’ve ever been. They don’t become someone else. They become more wholly themselves.
Because some truths can only be found when the old story no longer holds.
Amazing!!!
You write so beautifully. Your thoughts are worth my while. I will reread this several times.
Could you maybe list some novels you like? Here are a few I think you might: Precious Bane by Mary Webb
Housekeeping by Marilyn e Robinson
Portrait of a Lady by Henry James